This is the letter Philip, Lord Chandos, younger son of the Earl of Bath, wrote to Francis Bacon, later Baron Verulam, Viscount St. Albans, apologizing for his complete abandonment of literary activity.
It is kind of you, my esteemed friend, to condone my two years of silence and to write to me thus. It is more than kind of you to give to your solicitude about me, to your perplexity at what appears to you as mental stagnation, the expression of lightness and jest which only great men, convinced of the perilousness of life yet not discouraged by it, can master.
You conclude with the aphorism of Hippocrates, "Qui gravi morbo cor- repti dolores non sentiunt, iis mens aegrotat" (Those who do not perceive that they are wasted by serious illness are sick in mind), and suggest that I am in need of medicine not only to conquer my malady, but even more, to sharpen my senses for the condition of my inner self. I would fain give you an answer such as you deserve, fain reveal myself to you entirely, but I do not know how to set about it. Hardly do I know whether I am still the same person to whom your precious letter is addressed. Was it I who, now six-and-twenty, at nineteen wrote The New Paris, The Dream of Daphne, Epithalamium, those pastorals reeling under the splendour of their words—plays which a divine Queen and several overindulgent lords and gentlemen are gracious enough still to remember? And again, was it I who, at three-and-twenty, beneath the stone arcades of the great Venetian piazza, found in myself that structure of Latin prose whose plan and order delighted me more than did the monuments of Palladio and Sansovino rising out of the sea? And could I, if otherwise I am still the same person, have lost from my inner inscrutable self all traces and scars of this creation of my most intensive thinking—lost them so completely that in your letter now lying before me the title of my short treatise stares at me strange and cold? I could not even comprehend, at first, what the familiar picture meant, but had to study it word by word, as though these Latin terms thus strung together were meeting my eye for the first time. But I am, after all, that person, and there is rhetoric in these questions—rhetoric which is good for women or for the House of Commons, whose power, however, so overrated by our time, is not sufficient to penetrate into the core of things. But it is my inner self that I feel bound to reveal to you—a peculiarity, a vice, a disease of my mind, if you like—if you are to understand that an abyss equally unbridgeable separates me from the literary works lying seemingly ahead of me as from those behind me: the latter having become so strange to me that I hesitate to call them my property.
I know not whether to admire more the urgency of your benevolence or the unbelievable sharpness of your memory, when you recall to me the various little projects I entertained during those days of rare enthusiasm which we shared together. True, I did plan to describe the first years of the reign of our glorious sovereign, the late Henry VIII. The papers bequeathed to me by my grandfather, the Duke of Exeter, concerning his negotiations with France and Portugal, offered me some foundation. And out of Sallust, in those happy, stimulating days, there flowed into me as though through never-congested conduits the realization of form—that deep, true, inner form which can be sensed only beyond the domain of rhetorical tricks: that form of which one can no longer say that it organizes subject-matter, for it penetrates it, dissolves it, creating at once both dream and reality, an interplay of eternal forces, something as marvelous as music or algebra. This was my most treasured plan.
But what is man that he should make plans!
I also toyed with other schemes. These, too, your kind letter conjures up. Each one, bloated with a drop of my blood, dances before me like a weary gnat against a somber wall whereon the bright sun of halcyon days no longer lies.
I wanted to decipher the fables, the mythical tales bequeathed to us by the Ancients, in which painters and sculptors found an endless and thoughtless pleasure—decipher them as the hieroglyphs of a secret, inexhaustible wisdom whose breath I sometimes seemed to feel as though from behind a veil.
I well remember this plan. It was founded on I know not what sensual and spiritual desire: as the hunted hart craves water, so I craved to enter these naked, glistening bodies, these sirens and dryads, this Narcissus and Proteus, Perseus and Actaeon. I longed to disappear in them and talk out of them with tongues. And I longed for more. I planned to start an Apophthegmata, like that composed by Julius Caesar: you will remember that Cicero mentions it in a letter. In it I thought of setting side by side the most memorable sayings which—while associating with the learned men and witty women of our time, with unusual people from among the simple folk or with erudite and distinguished personages—I had managed to collect during my travels. With these I meant to combine the brilliant maxims and reflections from classical and Italian works, and anything else of intellectual adornment that appealed to me in books, in manuscripts or conversations; the arrangement, moreover, of particularly beautiful festivals and pageants, strange crimes and cases of madness, descriptions of the greatest and most characteristic architectural monuments in the Netherlands, in France and Italy; and many other things. The whole work was to have been entitled Nosce te ipsum.
To sum up: In those days I, in a state of continuous intoxication, conceived the whole of existence as one great unit: the spiritual and physical worlds seemed to form no contrast, as little as did courtly and bestial conduct, art and barbarism, solitude and society; in everything I felt the presence of Nature, in the aberrations of insanity as much as in the utmost refinement of the Spanish ceremonial; in the boorishness of young peasants no less than in the most delicate of allegories; and in all expressions of Nature I felt myself. When in my hunting lodge I drank the warm foaming milk which an unkempt wench had drained into a wooden pail from the udder of a beautiful gentle-eyed cow, the sensation was no different from that which I experienced when, seated on a bench built into the window of my study, my mind absorbed the sweet and foaming nourishment from a book. The one was like the other: neither was superior to the other, whether in dreamlike celestial quality or in physical intensity—and thus it prevailed through the whole expanse of life in all directions; everywhere I was in the center of it, never suspecting mere appearance: at other times I divined that all was allegory and that each creature was a key to all the others; and I felt myself the one capable of seizing each by the handle and unlocking as many of the others as were ready to yield. This explains the title which I had intended to give to this encyclopedic book. To a person susceptible to such ideas, it might appear a well-designed plan of divine Providence that my mind should fall from such a state of inflated arrogance into this extreme of despondency and feebleness which is now the permanent condition of my inner self. Such religious ideas, however, have no power over me: they belong to the cobwebs through which my thoughts dart out into the void, while the thoughts of so many others are caught there and come to rest. To me the mysteries of faith have been condensed into a lofty allegory which arches itself over the fields of my life like a radiant rainbow, ever remote, ever prepared to recede should it occur to me to rush toward it and wrap myself into the folds of its mantle. But, my dear friend, worldly ideas also evade me in a like manner. How shall I try to describe to you these strange spiritual torments, this rebound- ing of the fruit-branches above my outstretched hands, this recession of the murmuring stream from my thirsting lips?
My case, in short, is this: I have lost completely the ability to think or to speak of anything coherently.
At first I grew by degrees incapable of discussing a loftier or more general subject in terms of which everyone, fluently and without hesitation, is wont to avail himself. I experienced an inexplicable distaste for so much as uttering the words spirit, soul, or body. I found it impossible to express an opinion on the affairs at Court, the events in Parliament, or whatever you wish. This was not motivated by any form of personal deference (for you know that my candor borders on imprudence), but because the abstract terms of which the tongue must avail itself as a matter of course in order to voice a judgment—these terms crumbled in my mouth like moldy fungi. Thus, one day, while reprimanding my four-year-old daughter, Katherina Pompilia, for a childish lie of which she had been guilty and demonstrat- ing to her the necessity of always being truthful, the ideas streaming into my mind suddenly took on such iridescent coloring, so flowed over into one another, that I reeled off the sentence as best I could, as if suddenly overcome by illness. Actually, I did feel myself growing pale, and with a violent pressure on my forehead I left the child to herself, slammed the door behind me, and began to recover to some extent only after a brief gallop over the lonely pasture.
Gradually, however, these attacks of anguish spread like a corroding rust. Even in familiar and humdrum conversation all the opinions which are generally expressed with ease and sleep-walking assurance became so doubtful that I had to cease altogether taking part in such talk. It filled me with an inexplicable anger, which I could conceal only with effort, to hear such things as: This affair has turned out well or ill for this or that person; Sheriff N. is a bad, Parson T. a good man; Farmer M. is to be pitied, his sons are wasters; another is to be envied because his daughters are thrifty; one family is rising in the world, another is on the downward path. All this seemed as indemonstrable, as mendacious and hollow as could be. My mind compelled me to view all things occurring in such conversations from an uncanny closeness. As once, through a magnifying glass, I had seen a piece of skin on my little finger look like a field full of holes and furrows, so I now perceived human beings and their actions. I no longer succeeded in comprehending them with the simplifying eye of habit. For me everything disintegrated into parts, those parts again into parts; no longer would anything let itself be encompassed by one idea. Single words floated round me; they congealed into eyes which stared at me and into which I was forced to stare back—whirlpools which gave me vertigo and, reeling incessantly, led into the void.
I tried to rescue myself from this plight by seeking refuge in the spiritual world of the Ancients. Plato I avoided, for I dreaded the perilousness of his imagination. Of them all, I intended to concentrate on Seneca and Cicero. Through the harmony of their clearly defined and orderly ideas I hoped to regain my health. But I was unable to find my way to them. These ideas, I understood them well: I saw their wonderful interplay rise before me like magnificent fountains upon which played golden balls. I could hover around them and watch how they played, one with the other; but they were concerned only with each other, and the most profound, most personal quality of my thinking remained excluded from this magic circle. In their company I was overcome by a terrible sense of loneliness; I felt like someone locked in a garden surrounded by eyeless statues. So once more I escaped into the open.
Since that time I have been leading an existence which I fear you can hardly imagine, so lacking in spirit and thought is its flow: an existence which, it is true, differs little from that of my neighbours, my relations, and most of the land-owning nobility of this kingdom, and which is not utterly bereft of gay and stimulating moments. It is not easy for me to indicate wherein these good moments subsist; once again words desert me. For it is, indeed, something entirely unnamed, even barely nameable which, at such moments, reveals itself to me, filling like a vessel any casual object of my daily surroundings with an overflowing flood of higher life. I cannot expect you to understand me without examples, and I must plead your indulgence for their absurdity. A pitcher, a harrow abandoned in a field, a dog in the sun, a neglected cemetery, a cripple, a peasant's hut—all these can become the vessel of my revelation. Each of these objects and a thousand others similar, over which the eye usually glides with a natural indifference, can suddenly, at any moment (which I am utterly powerless to evoke), assume for me a character so exalted and moving that words seem too poor to describe it. Even the distinct image of an absent object, in fact, can acquire the mysterious function of being filled to the brim with this silent but suddenly rising flood of divine sensation. Recently, for instance, I had given the order for a copious supply of rat-poison to be scattered in the milk cellars of one of my dairy-farms. Towards evening I had gone off for a ride and, as you can imagine, thought no more about it. As I was trotting along over the freshly-ploughed land, nothing more alarming in sight than a scared covey of quail and, in the distance, the great sun sinking over the undulating fields, there suddenly loomed up before me the vision of that cellar, resounding with the death-struggle of a mob of rats. I felt everything within me: the cool, musty air of the cellar filled with the sweet and pungent reek of poison, and the yelling of the death cries breaking against the moldering walls; the vain convulsions of those convoluted bodies as they tear about in confusion and despair; their frenzied search for escape, and the grimace of icy rage when a couple collide with one another at a blocked-up crevice. But why seek again for words which I have forsworn! You remember, my friend, the wonderful description in Livy of the hours preceding the destruction of Alba Longa: when the crowds stray aimlessly through the streets which they are to see no more . . . when they bid farewell to the stones beneath their feet. I assure you, my friend, I carried this vision within me, and the vision of burning Carthage, too; but there was more, something more divine, more bestial; and it was the Present, the fullest, most exalted Present. There was a mother, surrounded by her young in their agony of death; but her gaze was cast neither toward the dying nor upon the merciless walls of stone, but into the void, or through the void into Infinity, accompanying this gaze with a gnashing of teeth!—A slave struck with helpless ter- ror standing near the petrifying Niobe must have experienced what I experienced when, within me, the soul of this animal bared its teeth to its monstrous fate.
Forgive this description, but do not think that it was pity I felt. For if you did, my example would have been poorly chosen. It was far more and far less than pity: an immense sympathy, a flowing over into these creatures, or a feeling that an aura of life and death, of dream and wakefulness, had flowed for a moment into them—but whence? For what had it to do with pity, or with any comprehensible concatenation of human thought when, on another evening, on finding beneath a nut-tree a half-filled pitcher which a gardener boy had left there, and the pitcher and the water in it, darkened by the shadow of the tree, and a beetle swimming on the surface from shore to shore—when this combination of trifles sent through me such a shudder at the presence of the Infinite, a shudder running from the roots of my hair to the marrow of my heels? What was it that made me want to break into words which, I know, were I to find them, would force to their knees those cherubim in whom I do not believe? What made me turn silently away from this place? Even now, after weeks, catching sight of that nut- tree, I pass it by with a shy sidelong glance, for I am loath to dispel the memory of the miracle hovering there round the trunk, loath to scare away the celestial shudders that still linger about the shrubbery in this neighborhood! In these moments an insignificant creature—a dog, a rat, a beetle, a crippled apple tree, a lane winding over the hill, a moss- covered stone, mean more to me than the most beautiful, abandoned mistress of the happiest night. These mute and, on occasion, inanimate creatures rise toward me with such an abundance, such a presence of love, that my enchanted eye can find nothing in sight void of life. Everything that exists, everything I can remember, everything touched upon by my confused thoughts, has a meaning. Even my own heaviness, the general torpor of my brain, seems to acquire a meaning; I experi- ence in and around me a blissful, never-ending interplay, and among the objects playing against one another there is not one into which I cannot flow. To me, then, it is as though my body consists of nought but ciphers which give me the key to everything; or as if we could enter into a new and hopeful relationship with the whole of existence if only we begin to think with the heart. As soon, however, as this strange enchantment falls from me, I find myself confused; wherein this har- mony transcending me and the entire world consisted, and how it made itself known to me, I could present in sensible words as little as I could say anything precise about the inner movements of my intestines or a congestion of my blood.
Apart from these strange occurrences, which, incidentally, I hardly know whether to ascribe to the mind or the body, I live a life of barely believable vacuity, and have difficulties in concealing from my wife this inner stagnation, and from my servants the indifference wherewith I contemplate the affairs of my estates. The good and strict education which I owe to my late father and the early habit of leaving no hour of the day unused are the only things, it seems to me, which help me maintain towards the outer world the stability and the dignified appearance appropriate to my class and my person.
I am rebuilding a wing of my house and am capable of conversing occasionally with the architect concerning the progress of his work; I administer my estates, and my tenants and employees may find me, perhaps, somewhat more taciturn but no less benevolent than of yore. None of them, standing with doffed cap before the door of his house while I ride by of an evening, will have any idea that my glance, which he is wont respectfully to catch, glides with longing over the rickety boards under which he searches for earthworms for fishing-bait; that it plunges through the latticed window into the stuffy chamber where, in a corner, the low bed with its chequered linen seems forever to be waiting for someone to die or another to be born; that my eye lingers long upon the ugly puppies or upon a cat stealing stealthily among the flower-pots; and that it seeks among all the poor and clumsy objects of a peasant's life for the one whose insignificant form, whose unnoticed being, whose mute existence, can become the source of that mysterious, wordless, and boundless ecstasy. For my unnamed bliss- ful feeling is sooner brought about by a distant lonely shepherd's fire than by the vision of a starry sky, sooner by the chirping of the last dying cricket when the autumn wind chases wintry clouds across the deserted fields than by the majestic booming of an organ. And in my mind I compare myself from time to time with the orator Crassus, of whom it is reported that he grew so excessively enamoured of a tame lamprey—a dumb, apathetic, red-eyed fish in his ornamental pond— that it became the talk of the town; and when one day in the Senate Domitius reproached him for having shed tears over the death of this fish, attempting thereby to make him appear a fool, Crassus answered, "Thus have I done over the death of my fish as you have over the death of neither your first nor your second wife."
I know not how oft this Crassus with his lamprey enters my mind as a mirrored image of my Self, reflected across the abyss of centuries. But not on account of the answer he gave Domitius. The answer brought the laughs on his side, and the whole affair turned into a jest. I, however, am deeply affected by the affair, which would have remained the same even had Domitius shed bitter tears of sorrow over his wives. For there would still have been Crassus, shedding tears over his lamprey. And about this figure, utterly ridiculous and contemptible in the midst of a world-gov- erning senate discussing the most serious subjects, I feel compelled by a mysterious power to reflect in a manner which, the moment I attempt to express it in words, strikes me as supremely foolish. Now and then at night the image of this Crassus is in my brain, like a splinter round which everything festers, throbs, and boils. It is then that I feel as though I myself were about to ferment, to effervesce, to foam and to sparkle. And the whole thing is a kind of feverish thinking, but thinking in a medium more immediate, more liquid, more glowing than words. It, too, forms whirlpools, but of a sort that do not seem to lead, as the whirlpools of language, into the abyss, but into myself and into the deepest womb of peace.
I have troubled you excessively, my dear friend, with this extended description of an inexplicable condition which is wont, as a rule, to remain locked up in me.
You were kind enough to express your dissatisfaction that no book written by me reaches you any more, "to compensate for the loss of our relationship." Reading that, I felt, with a certainty not entirely bereft of a feeling of sorrow, that neither in the coming year nor in the follow- ing nor in all the years of this my life shall I write a book, whether in English or in Latin: and this for an odd and embarrassing reason which I must leave to the boundless superiority of your mind to place in the realm of physical and spiritual values spread out harmoniously before your unprejudiced eye: to wit, because the language in which I might be able not only to write but to think is neither Latin nor English, neither Italian nor Spanish, but a language none of whose words is known to me, a language in which inanimate things speak to me and wherein I may one day have to justify myself before an unknown judge. Fain had I the power to compress in this, presumably my last, letter to Francis Bacon all the love and gratitude, all the unmeasured admiration, which I harbour in my heart for the greatest benefactor of my mind, for the foremost Englishman of my day, and which I shall harbour therein until death break it asunder.
This 22 August, A.D. 1603
PHI. CHANDOS
Translated from the German by Tania and James Stern.
